Of her time spent at Risley, Ghislaine Howard
says:
"Having recently completed a similar project at
St Mary's Maternity Unit in Manchester, I welcomed the opportunity to witness
life at another institution. Like a hospital, a prison is an enclosed world,
with its own codes of behaviour, in which a wide range of human situations
are acted out.
"A prison is, however, a place set apart. Few if
any of the inmates want to be there, and points of reference to the outside
world appear distant and intangible. Working with a group of inmates to
help them produce work for an exhibition, and then to research and complete
my own contribution was a great challenge.
"I decided to use the idea of the separateness
of prison life as the basis of the workshops. I was determined to intervene
as little as possible, to facilitate an exploration of their own sense
of identity. We began with simple drawing exercises. Using their own hands
and faces the group began to expore the idea of portraiture; how images
could convey not only a likeness but also something of their private and
public selves.
Tatooed man, Risley
oil on canvas
36" x 24"
91cm x 61cm
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Wages queue, Risley
oil on canvas
40" x 50"
127cm x 102cm
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"Following on from this we experimented with ways
of picturing common experiences - referring to music and the elements.
"My involvement with Risley allowed me to continue
my interest in the depiction of the human figure, looking at ways in which
the individual is affected by particular environments and experiences.
"Time was too limited to develop a particular programme
of work. The paintings and drawings assembled here represent a period of
furious activity responding almost instinctively to my experiences at Risley,
particularly my time spent with the group of inmates.
"I have not sought out overly dramatic situations,
but rather allowed my day to day contact with individuals to suggest the
subject matter for my work.
Seg unit
oil on canvas
48" x 48"
122cm x 122cm
"I am indebted to the creativity and invention
of the inmates with whom I worked. Without their co-operation, the help
of the Education Department staff, the staff of Warrington Museum and the
students at Manchester University this exhibition would not have been possible
and I would have missed a rewarding and valuable experience."
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